Contemporary interview with Gordon Willis in The Boston Globe by Mark Feeny January 14 2007. Conrad Hall calls Willis "The Prince of Darkness."

Chapter 1 should focus more on Klute and the status of noir in the early 1970s. Quote Naremore on the problems and possibilities of colorized noir. Note Straw's account of the mulitplicity of noir-like tags: film-blanc, film-gris, etc. Straw's development of tabloid crime aesthetic based on true crime digest covers that feature place-less b&w crime scenes in broad daylight (as opposed to hi-contrast, or Wee Gee-like crime scenes) could be drawn into parallel with "figures in windows" aesthetic. Perhaps also verite could be mentioned here as THE b&w moving image of the 1960s. Color would be associated with technicolor/H-wood artifice. Also ref. opening essay to recent Neo-Noir anthology.